The talking donkey most familiar to Americans these days is the cartoon character “Donkey” from the hit movie Shrek (2001). But Donkey’s predecessor, Francis the talking mule, debuted in a 1946 World War II novel, and then seven follow-up films in the 1950s; and the unbeatable original is a whole lot older still — Balaam’s donkey of Numbers 22.
All three donkeys are noticeably smarter than the people who own them, and maybe that’s the point. A donkey is a jackass, after all, the archetypically stupid beast of burden; granting them intelligence is a favorite artistic strategy
The Rabbis, who think Balaam’s donkey was real, trace its origin to creation itself, when God fashioned a variety of things that history would someday require but put them aside until they were needed. One such item was Balaam’s donkey. Another was the first set of tongs
A quintessential breakthrough in human material culture is metallurgy: first iron, and then the process of heating it above 800 degrees centigrade to “steel” it for tasks where ordinary iron breaks. But to manipulate iron, you need tongs, and in order to make the tongs, you first need other tongs! It follows, then, that alongside Balaam’s donkey, God must also have fashioned a set of primeval tongs, which humans eventually discovered and used to make all the other tongs.
Long before metallurgy, there was fire itself, of course, so another rabbinic tale traces that also to God. This story accents Adam, the human being who discovered it; celebrated its heat and light; thanked God for it; and used it ever after
To tongs and fire as benchmarks in human progress, we should add writing, the means of transmitting knowledge through the generations. Rabbinic tradition ascribes the discovery of writing to Enoch, a descendent of Adam. Legend pictures God allowing Enoch to live among the angels, so that he might attain their mastery of the natural universe, and write it down for humans to learn
The important lesson here is that all these tales picture God as welcoming human discovery — unlike Zeus of Greek mythology, from whom Prometheus, like some primeval industrial spy, has to steal these very secrets (metallurgy, fire and script) and give them to mortals: an act for which he is punished by being shackled to a crag, where every day, an eagle rips open his flesh to devour his liver. The God of the Rabbis, by contrast, willingly creates everything we need – writing, fire, tongs, and even (for a single cameo appearance) a talking donkey: and then glories in our discovering them.
Civilization requires regularized breakthrough inventions, but do we invent them despite creation or does the very plan of creation favor our inventiveness? Judaism’s answer is the latter: the cosmos and we are in sync. God welcomes curiosity. God wants us to uncover the world’s secrets
Judaism views the universe as massive beyond imagination, but created with order and logic – just awaiting human discovery. To be a Jew is to value the art of exploring the unknown. Adam stops to investigate fire; Enoch writes notes on what the angels know; some unknown blacksmith figured out how to use tongs; and Balaam marvels at, and listens to, a talking jackass.
God supplies the world with whatever we might need; we dedicate ourselves to finding it. That, the Rabbis say, is what God wants: we are in league with God in manufacturing progress.
Progress is slow, however, measured only in eons, so we must commit ourselves to this business called life, for the long haul. Only eventually will we, conceivably, discover miraculous solutions for such problems as intractable disease, endemic poverty, ecological disaster and war.
We call that eventuality the messianic age, which tradition describes as a messiah arriving on yet one more donkey. That too, perhaps, is a holdover from creation, deposited in the wings of history and awaiting its turn on the world stage. Stay tuned. Who knows